“Investigate a spine-tingling true crime in this award-winning augmented reality game,” the developers promote. “Play from anywhere in the world, or take your phones and devices into downtown Melbourne, Australia, where the crime happened!”
Their games bring real historical crimes to life with dramatic storytelling, interactive clues, and virtual witness interviews—blending AR tech with the eerie intrigue of true crime.
🔗 Visit True Crime Games
🔗 Misadventure in Little Lon
🔗 Eastern Market Murder on the App Store
How Augmented Reality Works in True Crime Games
Augmented Reality (AR) overlays digital elements onto the real-world using smartphones, tablets, or headsets. Unlike VR, which immerses users in a fully virtual environment, AR blends the physical and digital worlds.
Key AR components include:
- Sensing & Tracking: Devices scan the environment using cameras, GPS, and motion sensors.
- Processing & Recognition: Software identifies real-world landmarks or objects to trigger digital content.
- Rendering & Display: Players see digital overlays—such as animated characters or interactive clues—on their screen in real-time.
In the context of true crime games, this means pointing your phone at a real-world location and watching a historical witness appear to answer your questions or seeing a crime scene reconstructed around you.
Eastern Market Murder (1899)
This AR game revisits the shocking 1899 attack on a popular fortune-teller’s husband at Melbourne’s Eastern Market. Featuring gangs, phrenologists, and secrets from over a century ago, players follow a trail of evidence—either virtually or on the city’s actual streets.
Misadventure in Little Lon (1910)
This story of murder, vengeance, and deception unfolds in the laneways of Melbourne’s Little Lonsdale Street. Based on real events, the game lets players interrogate suspects and uncover secrets that could exonerate or condemn. The murder of Ernest Gunter and the actions of his courageous sister drive a plot filled with mob debts, hired hitmen, and false testimony.
