Taylor Swift Claps Back at Controversial New York Times Piece

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The controversy surrounds Marks’ claim that Swift embeds coded references about her sexuality in her work. She supposedly was “dropping hairpins” that were indications she was gay. Swifties and members of the LGBT community have criticized the article for its invasion of Swift’s privacy.

Decoding Taylor Swift LGBT References 

Marks pointed out various elements in Swift’s art, suggesting queer undertones. This includes dance routines in her Eras Tour, which Marks interprets as a tribute to Loie Fuller, a lesbian choreographer.

Additionally, Swift’s mention of The Ladder, an early lesbian publication in the U.S., is scrutinized in the piece. Marks asserts that Swift uses explicit sartorial choices, references to the bisexual pride flag, and recurring motifs like rainbow dresses. And these are coded messages to the queer community.

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LGBT Supporter

Swift, 34, has been a vocal supporter of the LGBT movement but has consistently denied being gay or bisexual. 

In a recent foreword to a new version of her album “1989,” Swift addressed speculation about her sexuality, mentioning her decision to surround herself with female friends to curb speculation about her love life.