Key Findings
• Archaeologists say a newly analyzed 4,300-year-old goblet may depict the oldest known record of cosmic creation
• A serpent-shaped sky figure and star symbol echo anomalies now interconnected to 3I/ATLAS
• December 19 remains the decisive moment that may confirm whether 3I/ATLAS is natural or artificial
By Samuel Lopez |USA Herald
Archaeologists have identified what may be the earliest visual account of the creation of the universe, etched into a 4,300-year-old silver goblet discovered decades ago in the Judean hills. The artifact, known as the ˁAin Samiya goblet, has been debated for half a century, but new analysis is reigniting global interest.
What makes the illustration newly relevant is not only its age, but its uncanny relationship to a real-time cosmic mystery unfolding above us today. The ancient depiction shows a long, scaled serpent or dragon moving across the sky, paired with a multi-petaled star rosette representing heavenly power or divine communication. This combination was one of the most universal cosmic signatures in the ancient world. It marked the arrival of an extraordinary visitor from the heavens.
In Mesopotamian cosmology, serpents and dragons represented celestial travelers, objects with tails, sources of light, or emissaries from distant realms. The goblet’s serpent is sculpted exactly the way ancient cultures described comets and anomalous sky bodies. Modern astrophysicists now describe 3I/ATLAS in strikingly similar terms.
Harvard’s Avi Loeb has documented its elongated jet structure, its anti-tail bending against the solar wind, and its form in telescopic images resembles a coiling, luminous body cutting across the sky. To Bronze Age observers, the jets emerging from 3I/ATLAS would have been understood not as physics, but as the body of a cosmic serpent.
The rosette symbol on the ancient goblet deepens the parallel. In the ancient Near East, the rosette and eight-pointed star were synonymous with cosmic authority, celestial anomalies, and divine messages.
The same symbol represented Inanna or Ishtar, the morning star, and the heavens announcing something of significance. Today, researchers studying 3I/ATLAS face a remarkably similar phenomenon. MeerKAT astronomers in South Africa detected narrow-band absorption at 1665 and 1667 MHz as 3I/ATLAS approached the Sun. These are the same “water-hole” frequencies that scientists since the 1970s have identified as the prime channels where intelligent civilizations might transmit. Whether natural or something more unusual, the absorption signature appeared in the exact frequency range linked for decades to life-associated communication.
The figures on the goblet appear calm, engaged, and communicative rather than fearful. They gesture toward the serpent and star as if participating in an exchange or acknowledging a message. This is one of the most arresting parallels to the present moment.
Our reporting has documented how 3I/ATLAS appears to be absorbing or repeating life-linked frequencies, and how the object’s behavior aligns with Avi Loeb’s argument that its structure may reflect artificial characteristics. Ancient artists may not have understood physics, but they recognized importance. When the sky behaved in ways that defied every expectation, they carved it into silver and stone.
Across four millennia, the pattern remains unchanged. A serpent-like traveler. A star symbol of communication. A moment when the heavens appear to send a message. Human beings have always recognized when something in the sky is not like the rest.
If 3I/ATLAS had appeared in the Bronze Age, the sculptors of the ˁAin Samiya goblet would have carved it exactly this way. And now, as the world looks toward December 19—the definitive moment when 3I/ATLAS will reveal whether it is a natural object or a technological messenger—the ancient carving feels less like archaeology and more like a reminder. We have been here before. Humanity has seen the sky behave like this, and for thousands of years, we have understood that it matters.
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